
Dieter Roth, o.T., 1974 - 78
Mixed Media, 65 x 84 cm

Dieter Roth, o.T., 1974 - 78
Detail

Dieter Roth, o.T., 1974 - 78
Detail

Dieter Roth, Fenster, 1974
Mixed Media, Painting: 23 x 36 cm, Frame:
37.5 x 52.5 x 3 cm

Dieter Roth, Braunbild, 1969 – 1982
(Front) Wood, Metal, Glass, Chocolate and miscellaneous Materials, 129 x 88.5 x 13 cm

Dieter Roth, Braunbild, 1969 – 1982
(Back) Wood, Metal, Glass, Chocolate and miscellaneous Materials, 129 x 88.5 x 13 cm

Dieter Roth, 88, 1977
Oil on Newspaper (35.6 x 29.1 cm), painted Spread from "Supplement to the Chicago Sun Times, Chicago Tribune, Sunday, January 9,1977", in Plastic Case (43 x 32.5 cm)

Dieter Roth, Auf Wiedersehn, Sharpie!, 1972
Planographic Print (direct, from Zinc), white on dyed (grey) card, 101 x 131 cm, Ed. 30, Petersburg Press, London D.R. Solothurn

Dieter Roth, o.T., 1969
Doll, Chocolate, Celluloid Cylinder, 32 x 13.5 x 9.5 cm, annual edition of the Hannover Kunstverein, Ed. 22/50

Dieter Roth, Mater / Flong, 1961 – 71
Flong, monogramed, 13 x 16 cm, Ed. 5

Dieter Roth, Four Etchings, 1975
Detail, 4 Prints in Folder with Etiquette, Intaglio Print (Etching in Zink) on white hand-made Paper, each 53 x 40 cm, Ed. 40

Dieter Roth, Four Etchings, 1975
Detail

Dieter Roth, Four Etchings, 1975
Detail

Dieter Roth, Four Etchings, 1975
Detail

Robert Filliou, il y a un noeud au milieu de cette ficelle au centre de cette page où il y eut un dessin, 1972
Cardboard Box, Foil, String, Paper and a Plastic Piece, 44 x 64 x 6 cm, signed

Robert Filliou, Galerie Légitime – Couvre chef(s) d’oeuvre(s), 1969
Color Silkscreen, 65 x 88 cm, Ed. 120, sign. & num. (Ed. 46/120)

Robert Filliou, Childlike Uses of Warlike Material, 1971
7 Color Screenprints in a Cardboard Folder, each Print: 55.2 x 75.2 cm, Ed. 100, sign. & num. page by page, Ed. 89/100

Robert Filliou, Recherche sur l’origine, 1974
Roll & Booklet in Box, 10 x 31 x 9 cm, Ed. 400, num. & sign., Düsseldorf

Dorothy Iannone, Uncertain, 1962
Assemblage, Oil and Papers on Wood
43 x 55 cm, sign. & dat.

Dorothy Iannone, First Print,1967
Color Silkscreen Print, 100 x 72 cm, Ed. 50, sign. & dat.

Dorothy Iannone, Lions For Dieter Rot The Present Lion Master, 1971
Etching on Paper, 86 x 95 cm, Ed. 50, num. & sign.

Arthur Köpcke, T.H. Langs Gymnasium Konzert Theater, 1964
Oil and Lacquer Paint on Cardboard, 52 x 63 cm

Arthur Köpcke, out of 128 numbers reading/work-pieces this is no. 61 in the manuscript which treats the phenomenon: ’annulation’., 1965
Oil and Lacquer Paint on Canvas, Canvas: 42 x 63 cm, Frame: 55 x 77 cm

Arthur Köpcke, Continue, 1972
Special Edition in a Suitcase with Objects, Edition 30, Edition René Block, Berlin 1972

Arthur Köpcke, Continue, 1958 – 1964
Multiple, Objects from 1958 – 1964, Montage & Collage on black Cardboard (ca. 25 x 35 cm) & different Objects in Suitcase (26 x 36 x 21 cm). Ed. without Objects: 120

Arthur Köpcke, Continue, 1958 – 1964
Detail

Arthur Köpcke, Treatments, 60s
3 Treatments, Dimensions variable

Arthur Köpcke, Treatment, 60s
Beer Bottle, Label, 22.5 x ø 6 cm

Arthur Köpcke, Treatment, 60s
Detail

Arthur Köpcke, Treatment, 60s
Object with 2 Mirrors and a Booklet, 14 x 10.5 cm, unfolded 14 x 21 cm

Arthur Köpcke, Treatment, 60s
Matchbox, 2 Labels, 10 x 6 x 3 cm

Arthur Köpcke, sie nehmen nur teil, wenn sie dieses aktionsstück, dieses prinzip fortsetzen, sonst: sind sie nur ein zugucker, 1969
6 A 4-Pages, stitched, and a glued Calender Page, Galerie der Ed. Hansjörg Mayer, Stuttgart 1969

Arthur Köpcke, Glashaus von innen - Glashaus von außen, 1971/72
2 b/w Silkscreens, Copies no. 34/95 & 83/95 (see Arthur Köpcke, Bilder und Stücke, DAAD, Berlin u.a.O. 1988, p. 25 and 27), Edition: 95, Edition René Block, Berlin

Arthur Köpcke, Was ist das?, 2003
Exhibiton Poster, 84 x 59.5 cm

Tomas Schmit, "i remember when i was a b of c." (gertrude), 1972 (# 110)
Drawing, Felt Pen, Pencil & Colour Pencils, Ink, Collage, 61 x 43 cm

Tomas Schmit, Variation of maus, bierflasche und luftballon, 1976/1979 (# 169)
Original Drawing, Pencil & Colour Pencils, Ink, signed & dated, 43 x 48.5 cm

Tomas Schmit, die quadratur des kreises (#106), 1972
Detail, Cardboard Box (24 x 23 x 2 cm), 24 Drawings (each 22 x 21 cm), Pencil & Colour Pencils, Ink, Collage, Typewriter; Ed. 30, ‘23.karton’ of the Edition Hundertmark, Berlin

Tomas Schmit, die quadratur des kreises (#106), 1972
Detail, Cardboard Box (24 x 23 x 2 cm), 24 Drawings (each 22 x 21 cm), Pencil & Colour Pencils, Ink, Collage, Typewriter; Ed. 30, ‘23.karton’ of the Edition Hundertmark, Berlin

Tomas Schmit, leo faber, 1977 (# 175)
Painting, Oilpaint on lacquered Novopan-Chipboard, 110 x 100 cm

André Thomkins, Lackskin, 1982
Lacquer on paper, signed and dated, Paper: 138 x 91.5 cm, Frame: 150 x 103 cm

Joseph Beuys, Intuition, 1968
Wooden Box (nailed) with pencil drawing, 30 x 21 x 6 cm, Ed. unlimited; approx. 12,000 produced, signed & dated

Simone Forti, Planet, 1976
Lithography with text by Forti & 4 photographies by Peter Moore, 100 x 70 cm, Ed. 200 (num. & sign.) Cavriago 1976

Ludwig Gosewitz, Stammbaum oder die Platanenlehre, 2005 – 2007
Water Colour, Gouache, Pencil, 15 framed Sheets, 29.7 x 21 cm each + 3 key sheets, 29.7 x 42 cm each

Ludwig Gosewitz, Stammbaum oder die Platanenlehre, 2005 – 2007
Detail, Ludwig Gosewitz

Ludwig Gosewitz, Stammbaum oder die Platanenlehre, 2005 – 2007
Detail, Charlotte Gosewitz

Ludwig Gosewitz, Stammbaum oder die Platanenlehre, 2005 – 2007
Detail, Richard Elkner

Ludwig Gosewitz, Stammbaum oder die Platanenlehre, 2005 – 2007
Detail, Key Sheet

Ludwig Gosewitz, Stammbaum oder die Platanenlehre, 2005 – 2007
Detail, Key Sheet

Ludwig Gosewitz, Stammbaum oder die Platanenlehre, 2005 – 2007
Detail, Key Sheet

Ludwig Gosewitz, Glass Objects, 1978 – 1998
Glass from the Estate of Ludwig Gosewitz

Ludwig Gosewitz, Erinnerungen, 1968 – 1970
Detail, 14 Pencil & Water Colour Drawings, Photograph, Table of Content, in Cardboard Box (22.5 x 31.5 x 1 cm), Ed. 20 (2nd box of Ed. Hundertmark), Berlin 1970

Ludwig Gosewitz, Erinnerungen, 1968 – 1970
Detail

Ludwig Gosewitz, Erinnerungen, 1968 – 1970
Detail

Ludwig Gosewitz, Erinnerungen, Vierter und letzter Teil (Afrikanischer Karton), 1968/69
16 Objects & Drawings, Table of Content, in Cardboard Box, sign., num. & dated, 22.5 x 32 x 1 cm, Edition 25, Berlin 1974

Ludwig Gosewitz, Der Anziehschmit, 1967
Cutout Sheet, Offset Print, 60 x 42 cm, Ed. 150

Emmett Williams, From The Book of O series, 1958
Installation Emmett Williams - Projects with Ay-O & Yo-Yo Ma, Barbara Wien, Berlin, 2016

Emmett Williams, Family Reunion, 1958
Monoprint on Paper, 15.8 x 21.5 cm, signed & dated

Emmett Williams, From the Book of O, #3, 1958
Monoprint on Paper, 28 x 21.5 cm, signed & dated

Emmett Williams, Masquerade, 1958
Monoprint on paper, 21.5 x 15.8 cm, signed & dated

Emmett Williams, “We hold these truths to be self-evident....”, 1969
Paint on Paper, 58.5 x 81 cm, signed & dated

Emmett Williams, Incidental Music for Yo-Yo Ma, 1979
10 Serigraphs, each 48.5 x 66 cm, Ed. 30, 26 sets signed & numbered & 4 sets A.P., Installation with Graphic Series, Music by Yo-Yo Ma & 2 Photographs by R. Gardner

Emmett Williams, Incidental Music for Yo-Yo Ma, 1979
Detail (Serigraph 1/10)

Emmett Williams, Incidental Music for Yo-Yo Ma, 1979
Detail (Serigraph 9/10)

Emmett Williams, Incidental Music for Yo-Yo Ma, 1979
Detail (Serigraph 10/10)

Emmett Williams, Many are called but few are chosen, or, real Fluxus artists are not afraid of getting their feet wet, 1979
Serigraph, Acrylic Pens, 50 x 70 cm (framed), signed & dated

Emmett Williams, Hole, with Ay-O, 1968
Etching, punctured by Williams, 45 x 45 cm (68 x 62 cm framed), signed & dated, Ed. 20 / I A.P.