Eric Baudelaire
The Glove, 2020
HD Video, 8 min. 6 sec., Stereo Sound, Edition: 5
The Glove, 2020
Film Still
Un Film Dramatique, 2019
Video, 114 min., Stereo Sound, French with English Subtitles, Edition: 5/I a.p.
Un Film Dramatique, 2019
Film Still
Un Film Dramatique, 2019
Film Still
Where are you going?, 2018 – ongoing
Correspondence, Unique Work, overall Dimensions variable (each Frame 34 x 25.3 or 34 x 47.3 cm) SOLD
Where are you going?, 2018 – ongoing
Detail SOLD
Where are you going?, 2018 – ongoing
Detail SOLD
Walked The Way Home, 2018
Video, ca. 26 min., Stereo Sound
Walked The Way Home, 2018
Film Still
Eldgja Canyon, 2018
Gravure and Letterpress on Paper, 33 x 25 cm, Edition 30
Also Known As Jihadi, 2017
Film, Colour, Sound, 99’, Edition of 5 (Film Still)
Also Known As Jihadi, 2017
Film, Colour, Sound, 99’, Edition of 5 (Film Still)
Also Known As Jihadi, 2017
Film, Colour, Sound, 99’, Edition of 5 (Film Still)
Also Known As Jihadi, 2017
Film, Colour, Sound, 99’, Edition of 5 (Film Still)
Que peut une image?, 2017
Lightbox Vitrine, 52 Duratrans Photographic Prints & Magazine Pages, Vitrine: 96 x 603 x 73 cm
Que peut une image?, 2017
Detail
Que peut une image?, 2017
Detail
APRÈS, 2017
12 Prints, each 100 x 70, Edition 7/12, all signed, Detail (A pour Architecture)
APRÈS, 2017
Detail (F pour FuÌ‚keiron, la TheÌorie du Paysage)
APRÈS, 2017
Detail (H pour Hypnose)
APRÈS, 2017
Detail (J pour Justice)
FRAEMWROK FRMAWREOK FAMREWROK..., 2016
Wallpaper, installed Dimensions variable (48 rolls of wallpaper / 144 linear meters total), Edition 2/5
FRAEMWROK FRMAWREOK FAMREWROK..., 2016
Wallpaper, installed Dimensions variable (48 rolls of wallpaper / 144 linear meters total), Edition 2/5
FRAEMWROK FRMAWREOK FAMREWROK..., 2016
Wallpaper, installed Dimensions variable (48 rolls of wallpaper / 144 linear meters total), Edition 2/5
Some Tomorrows (Le Monde, 6 Août 2015), 2016
Silkscreened Ink on Paper and Glass, 111.2 x 80.7 cm, Unique Piece + 1 AP
Some Tomorrows (Le Monde, 11 Mai 2010), 2016
Silkscreened Ink on Paper and Glass, 111.2 x 80.7 cm, Unique Piece + 1 AP
The Secession Sessions, 2014
Installation composed of 74 Letters, a Film Projection, a Performance with Maxim Gvindjia & a Proposal for a Public Program
The Secession Sessions, 2014
Installation composed of 74 Letters, a Film Projection, a Performance with Maxim Gvindjia & a Proposal for a Public Program
The Secession Sessions, 2014
Installation composed of 74 Letters, a Film Projection, a Performance with Maxim Gvindjia & a Proposal for a Public Program
The Secession Sessions, 2014
Installation composed of 74 Letters, a Film Projection, a Performance with Maxim Gvindjia & a Proposal for a Public Program
The Ugly One, 2013
Film adapted from a Screenplay by Masao Adachi, HD video, 141’, Edition 5
The Ugly One, 2013
Film Still
The Ugly One, 2013
Installation View Detail
The Ugly One, 2013
Installation View Detail
Refusons le monde de ceux qui ont [Let us refuse the world of those who have], 2010
C-Print, framed, Print 14 x 20 cm, Frame 46 x 34.5 x 2.5 cm, Edition 2/5 (+ 2 AP)
Refusons le monde de ceux qui ont [Let us refuse the world of those who have], 2010
Detail
Refusons le monde de ceux qui ont [Let us refuse the world of those who have], 2019
Heliogravure, 65 x 82 cm, framed 68 x 85 cm, Edition: 33
Chanson d’Automne, 2009
Grease Pencil on Sept 2008 Wall Street Journal Pages, two Frames of 76.5 x 132.5 cm and a chronological Notice, Edition 1/3 (+ 1AP)
Chanson d’Automne, 2009
Detail
The Makes, 2009
HD Colour Video, 26 min., Edition 6
The Makes (The Silence), 2009
Vitrine made from Japanese Film-Stills, Pages torn from That Bowling Alley on the Tiber by Michelangelo Antonioni, Plexiglass, Steel & fluorescent Lighting, Unique Piece, 71.5 x 104 x ca. 15.5 cm
The Makes (The Girl, The Crime #2), 2009
Vitrine made from Japanese Film-Stills, Pages torn from That Bowling Alley on the Tiber by Michelangelo Antonioni, Plexiglass, Steel & fluorescent Lighting, Unique Piece, 55 x 80 x ca. 15.5 cm
[sic], 2009
SD Video & chronological Note, 15 Minutes, Edition 5
Artforum XLVI #7 p.241 [sic], Yokohama, 2008, 2009
Photogravures (Triptych), each 48 × 37 cm
Sugar Water, 2007
HD Video Projection, 72 min., Edition: 5 + 1 AP
Sugar Water, 2007
Film Still
Site Displacement / DeÌplacement de site, 2007
Two synchronized Slide-Projections (2 x 22 Images), Edition 1/3
Site Displacement / DeÌplacement de site, 2007
Two synchronized Slide-Projections (2 x 22 Images), Edition 1/3
Site Displacement / DeÌplacement de site, 2007
Diptych of Photographs from the Site Displacement Series (Untitled 02a & Untitled 02b), two Frames: 55.5 x 47.7 cm & 55.5 x 45.7 cm, Edition 6
Site Displacement / DeÌplacement de site, 2007
Diptych of Photographs from the Site Displacement Series (Untitled 17a & Untitled 17b), 20 x 15.7 cm & 20 x 15 cm, Edition 6
V-Blank, 2006
3 Gelatin Silver Prints, framed, Photos each 51 x 65 cm; frames each: 53 x 67 x 3.4 cm, Edition 5
V-Blank, 2006
Detail
5 Sheathed Cobblestones (Rome), in collaboration Sonia Ahmimou, 2018
5 Roman cobblestones sheathed in Barenia leather / Unique work, ca. 6.5 x 9 x 7 cm / 8 x 7 x 5.5 cm / 10 x 7.5 x 7 cm / 9.5 x 9 x 9 cm / 6 x 9 x 6 cm
Born in Salt-Lake-City, USA, in 1973
Lives and works in Paris
Teaching
2019 Director, RAW Academy Session 7, Dakar, Senegal (2019)
2011 – 2013 Professor, École Nationale Supérieure des Beaux Arts de Lyon
Curating
2012 The Museum of Ante-Memorials, 8th Taipei Biennial, Taipei Fine Arts Museum, Taiwan
Awards & Grants
2020
Grand Prize, Punto de Vista International Documentary Film Festival, Pamplona, Spain (Un film dramatique)
2019
Prix Marchel Duchamp, Paris, France
Guggenheim Fellowship
2017
Future of Europe Art Prize, Leipzig
Best Feature-Length Documentary Award, Festival dei Popoli, Florence, Italy
Residency Villa Medici, Académie de France à Rome
2015
Sharjah Biennial 12 Prize
Best Feature Film prize, BAFICI, Vanguardia y Género (Letters to Max)
2014
SeMA-HANA Award, Mediacity, Seoul
Special Jury Prize, DocLisboa Festival (Letters to Max)
Grand Jury Prize, Porto/Post/Docs Festival (Letters to Max)
Editing Prize, RIDM Festival Montréal (Letters to Max)
2013
IASPIS Residency, Stockholm, Sweden
2012
Audi Talent Awards Art Prize
Fondation nationale des arts graphiques et plastiques grant
Special Jury Prize, DocLisboa Festival (The Anabasis)
2010
Centre national des arts plastiques (CNAP) research grant
2008
Residency Villa Kujoyama, Kyoto, Japan
2005
Fondation HSBC pour la Photographie Prize
2002
New York Foundation for the Arts Fellowship
Collections
Museum of Modern Art, New York
Whitney Museum of American Art, New York
Museum für Moderne Kunst, Frankfurt am Main
Museo Reina Sofia, Madrid
MACBA, Barcelona
MMCA, Seoul
M+, Hong Kong
KOLUMBA, Cologne
Centre Pompidou / Musée National d’Art Moderne, Paris
Fond Municipal d’Art Contemporain, Paris
FRAC Provence-Alpes-Côte d‘Azur, France
FRAC Auvergne, France
FRAC Grand Large - Hauts-de-France
FRAC Franche-Comté
Centre National des Arts Plastiques (CNAP), Paris
Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean
Fonds Municipal d’Art Contemporain de la Ville de Paris (FMAC)
Institut d’Art Contemporain (IAC), Lyon
Solo Exhibitions
2022
When There Is No More Music to Write (with Alvin Curran), Spike Island, Bristol, UK
2021
Death Passed My Way and Stuck This Flower in My Mouth, Eric Baudelaire, Kunst Halle Sankt Gallen, Switzerland
Un Film Dramatique, Artium Museum, Vitoria-Gasteiz, Spain
2020
Éric Baudelaire, Matadero, Madrid, Spain
2019
Faire avec, Centre Régional d’Art Contemporain (CRAC) Occitanie, Sète, France
Afterimage, Galerie Barbara Wien, Berlin, Germany
Some Letters, The Island Club, Limassol, Cyprus
2018
Walked the Way Home, n.b.k, Berlin, Germany
Prove e Motivi, Capo d’Arte, Gagliano del Capo, Italy (with David Douard)
2017
APRÈS, Centre Pompidou, Paris, France
Dora Maar Début, Galerie für Zeitgenössische Kunst, Leipzig, Germany
The Music of Ramón Raquello and his Orchestra, Tabakalera, San Sebastian, Spain
Fukeiron, Galerie Juana de Aizpuru, Madrid, Spain
The Music of Ramón Raquello and his Orchestra, Witte de With, Rotterdam, Netherlands
2016
A Form That Accommodates The Mess, Galerie Barbara Wien, Berlin, Germany
2015
The Ugly One, Ludwig Forum, Aachen, Germany
The Secession Sessions, Matrix 257, UC Berkeley Art Museum & Pacific Film Archive, United States *
2014
FRMAEOWRK, Fridericianum, Kassel, Germany
The Secession Sessions, Bergen Kunsthall, Norway *
L’oeil se noie (with Mathieu K. Abonnenc), KIOSK, Ghent, Belgium
The Secession Sessions, Bétonsalon, Paris, France *
2013
The Anabasis and The Ugly One, Gallery Greta Meert, Brussels
Now_Then_Here_Elsewhere, Beirut Art Center, Lebanon
2012
The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images, Gasworks, London *
La Anabasis de May y Fusako Shigenobu, Masao Adachi, y 27 anos sin imagenes, Galeria Juana de Aizpuru, Madrid, Spain *
The Music of Ramon Raquello, Slought Foundation, Philadelphia, United States
2011
Eric Baudelaire : Sugar Water, Franklin Art Works, Minneapolis, United States
The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images, CAC la Synagogue de Delme, France *
2010
Hammer projects: Eric Baudelaire, Hammer Museum, Los Angeles, United States *
Unfinished Business, Gallery TPW, Toronto, Canada
2009
Anabases (I), Elizabeth Dee Gallery, New York, United States *
Anabases (II), Galerie Greta Meert, Brussels, Belgium *
2008
Site Displacement / Déplacement de Site, La ToÌ‚lerie, Clermont-Ferrand, France (cur. G. DeÌsanges ) *
2007
Circumambulation, Elizabeth Dee Gallery, New York, United States
Eric Baudelaire, Musée de la Photographie, Charleroi, Belgium *
Acontecimientos, Galeria Juana de Aizpuru, Madrid, Spain
2006
Imagined States, Phillips de Pury, New York, United States *
2005
Imagined States, Le Château d’Eau, Toulouse, France *
Group Exhibitions
2023
Chaleur humaine, Art & Industry Triennial, Dunkirk and throughout the Hauts-de-France region, France (June)
2022
De leur temps (7), Frac Grand Large, Dunkerque
FiIe Under Freedom, Bergen Kunsthall, Norway
Aller Contre le Vent : performances, actions et autres rituels, Frac Franche-Comté, France
Making Being Here Enough, Kolumba, Cologne, Germany
Phenomenon 4, Anafi, Greece
There is Nothing Inevitable About Time, Tavros, Athènes, Greece
Avecques Amertume, Les limbes, Saint-Étienne, France
Aller Contre le Vent : performances, actions et autres rituels, L’arc, Le Creusot, France Les Portes du possible, Centre Pompidou, Metz, France
2021
When the Present is History, MOMus (Museum of Contemporary Art), Thessaloniki, Greece
Though it’s Dark, Still I Sing, 34th Biennale de Saõ Paulo, Brazil
Artists’ Library: 1989 – 2021, Macro Museum, Rome, Italy
2020
Though it’s Dark, Still I Sing, 34ème Biennale de Saõ Paulo ,Brazil
Matter of Art, Biennale de Prague, Czech Republic
Accrochage 20 ans du Prix Marcel Duchamp, Centre Pompidou, Paris, France
Resisting Images, Images Responding, Coalmine, Winterthur, Switzerland
Sammlung/Collection, Tower MMK, Museum für Moderne Kunst, Frankfurt am Main, Germany
Unsere Gegenwart, Museum für Gegenwartskunst Siegen, Germany
Hospitalités. Les galeries de Komunuma invitent des galeries amies, Galerie Jocelyn Wolff, Paris Romainville, France
Retrospective, Documenta / Matadero, Madrid, Spain
Yabuno-naka nihon sekingu (with Naeem Mohaiemen), Asakusa, Tokyo, Japan
2019
The Square: Art and Society in Korea 1900‒2019, MMCA National Museum of Modern and Contemporary Art, Seoul, Korea
You, Musée d’Art moderne de la Ville de Paris, France
When the Present is History, DEPO, Istanbul, Turkey
Deep Sounding, DAAD Gallery, Berlin, Germany
Prix Marcel Duchamp 2019, Centre Pompidou, Paris, France
VIDEONALE.17, Refracted Realities, Kunstmuseum Bonn, Germany
La Rue, Moco La Panacée, Montpellier, France
2018
der grosse Anspruch des kleinen Bildes, Galerie Barbara Wien, Berlin, Germany
Refracted Realities, Videonale – Festival for Video and Time-Based Art, Bonn, Cologne
New acquisitions presentation: Eric Baudelaire, LaToya Ruby Frazier, Alban Hajdinaj & Jumana Manna
Centre Pompidou, Paris, France
Letters of Last Resort, Damien & The Love Guru, Brussels, Belgium
Take Me (I’m Yours), Villa Medicis, Rome, Italy
Assembly, CAC la Synagogue de Delme, Delme, France
FRMAWREOK, FAMREWROK FRMWRAOEK, Alkovi, Helsinki, Finland
Stadtansichten, Heidelberger Kunstverein, Heidelberg, Germany
An American City, FRONT International: Cleveland Triennial for Contemporary Art, Cleveland, OH, USA
2017
Conversation Piece | Part IV: Giant steps are what you take, The Fondazione Memmo-Arte Contemporanea, Rome, Italy
Spaces of Art - Part 2, Galerie für Zeitgenössische Kunst, Leipzig, Germany
Act II, Sharjah Biennial 13, Tamawuj, Beirut Art Center, Lebanon
Almost nothing, and yet not nothing, Arts and Science Lab in Tokyo University of the Arts (Museum of Contemporary Art Tokyo in collaboration with KADIST), Ueno Campus Tokyo, Japan
The Image of War, Bonniers Konsthall, Stockholm, Sweden
4th Ural Industrial Biennial of Contemporary Art, NCCA Ekaterinburg, Russia
Whitney Biennial 2017, Whitney Museum of American Art, New York, United States
RIVERRUN, Taipei Fine Arts Museum, Taiwan
La dissidència nostalgica, La Capella, Barcelona, Spain
Contour Biennale 8, Mechelen, Belgium
Evidences du réel. La photographie face à ses lacunes, Le Musée d’art de Pully, Pully, Switzerland
2016
House of commons, Portikus, Frankfurt/Main, Germany
Le Grand Balcon (The Grand Balcony), La Biennale de Montréal, Canada
Territories and Fictions. Thinking a New Way of the World, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Still (the) Barbarians, EVA International, Ireland’s Biennale, Limerick
Économie de la tension, Parc Saint Léger, Centre d’art contemporain, Pougues-les-Eaux, France
The Inoperative Community II, Muzeum Sztuki, Lodz, Poland
No Shooting in this Area, Bel Ordinaire, Billère, France
Petit déjeuner au crépuscule, Centre d’art image/imatge, Orthez, France
Il y a de l’autre, Atelier des Forges (as part of Les Rencontres de la Photographie), Arles, France
2015
The Inoperative Community, Raven Row, London, UK (cur. Dan Kidner)
Paysages Urbains, rêve et réalité, Domaine de Chamarande, France
Moving Image Department – 3rd Chapter: The Owl’s Legacy and its Discontents, National Gallery, Prague, Czech Republic (cur. Adam Budak, Jen Kratochvil)
The Vanishing Point of History, Lectoure, France (cur. Catsou Roberts)
Sharjah Biennial 12, The past, the present, the possible, UAE (cur. Eungie Joo)
Pliure. Epilogue, Palais des Beaux Arts, Paris
2014
ART Fahrenheit 451, Yokohama Triennale, Japan (cur. Morimura Yasumasa)
Ghosts, Spies and Grandmothers, Mediacity Biennale SeMA, Seoul, South Korea (cur. Park Chan-Kyong)
La Photographie performe: the Body and the Archive, CPIF, Pontault-Combault, France
Out of the Blue, The National Gallery of Kosovo, Pristina (cur. Corinne Diserens)
Once documentary, Camera Austria, Graz, Austria
Reading Cinema, Finding Words, Museum of Modern Art, Tokyo, Japan
ClasseÌ X, FRAC Loraine, Metz, France
2013
Archeologies of the Future 2, Campagne Première, Berlin, Germany
Liquid Assets, Steirischer Herbst, Ex-Zollamt, Graz, Austria (cur. Katarina Gregos)
Reading Cinema, Finding Words, Museum of Modern Art, Kyoto, Japan
New Acquisitions, MACBA, Barcelona, Spain
Ulysses, l’autre mer, FRAC Bretagne, Rennes, France
Nothing is Normal, bureau publik, Copenhagen, Denmark
fALSEfAKES, Centre de la Photographie, Genève, Switzerland
Duet, Cristina Guerra gallery, Lisbon, Portugal
L’apparition des images, Fondation Ricard, Paris, France
2012
8th Taipei Biennial, Taipei Fine Arts Museum, Taiwan (cur. Anselm Franke)
Mindaugas Triennial, Baltic Triennial of International Art, Vilnius, LIthuania (cur. Defne Ayas, Benjamin Cook)
Carnal Knowledge, Leslie Tonkonow, New York, United States
A Blind Spot, Documentary Forum II, Haus der Kulturen der Welt, Berlin, Germany (cur. Catherine David)
Intense ProximiteÌ, La Triennale, Palais de Tokyo, Paris, France (cur. Okwui Enwezor)
Les Monuments Invisibles, La Galerie, Noisy-le-Sec, France
La chispa que incendia la llanura, Centro Ecuatoriano de Arte ContemporaÌneo, Quito, Ecuador
AffiniteÌs, deÌchirures et attractions, FRAC Alsace, SeÌlestat, France
2011
Elastic Frames, Transmission Gallery, Glasgow, United Kingdom
Void if Removed, Le Plateau FRAC Ile de France, Paris, France (cur. Guillaume DeÌsanges) *
Ce matin j’ai assisteÌ aÌ€ la destruction du monde en spectateur attentif, et puis je me suis remis au travail, Le Quartier, Quimper, France
A Horse with No Legs Still Makes Him a Winner, Recess Activities, New York, United States (cur. Galeria Perdida)
Definitive Gaze, Newbridge Space, Newcastle upon Tyne, United Kingdom
Collector, Le Tri Postal, Lille, France
All That Fits, Quad, Derby, United Kingdom *
2010
Watchmen, Liars, Dreamers, Le Plateau FRAC IdF, Paris, France (cur. Guillaume DeÌsanges) *
A Never Ending Story, CAC Sukhum, Abkhazia (cur. Chris Sharp)
Vernacular of Violence, Invisible Exports, New York, United States
Collecter / Recycler, Centre de la Photographie d’IÌ‚le-de-France, Pontault-Combault, France
Public Image, Cooper Gallery, University of Dundee, United Kingdom
2009
Great Expectations, Casino Luxembourg, Luxembourg
PhotocineÌma, Format, Quad, Derby, United Kingdom
2008
Second_Nature, Dexia BIL, Luxembourg and Domaine de Chamarande, France *
La Foule (ControÌ‚le-Chaos), Espace d’Art Contemporain La ToÌ‚lerie, Clermont-Ferrand, France
Il Faut DeÌtruire Carthage, Lieu-Commun, Toulouse, France *
La Grande TraverseÌe / Horizons photographiques - Oeuvres du FNAC, Centre VU, QueÌbec
2007
New presentation of the contemporary collections, Centre Pompidou / MNAM, Paris, France
Replaying Narrative, Le Mois de la Photo aÌ€ MontreÌal, Canada *
A Travers le Miroir (Western Moderne), FRAC Auvergne, France
Watching War, Creative Arts Council, Brown University, Providence, United States
Exhibition, La GeÌneÌrale, Paris, France
2006
Adrian Piper, Eric Baudelaire, Josephine Meckseper, Wayne Gonzales, Elizabeth Dee Gallery, New York, United States
* Catalog or publication
Filmography, Screenings & Festivals
A Flower in the Mouth
2022, 67 minutes
Berlinale Forum
Jeonju International Film Festival
Marienbad Film Festival
L’Alternativa – Barcelona
Lo schermo dell’arte – Florence
Black Canvas FCC – Mexico
Viennale
Doclisboa
Zinebi Festival Internacional de Bilbao
Filmmaker Festival – Milan
When There Is No More Music to Write, and Other Roman Stories
2022, 59 minutes
Cinéma du Réel – Paris
CPH:DOX
Art of The Real – New York
DocumentaMadrid
Curtas Vila do Conde
DocLisboa
Villa Medici Film Festival – Rome
DMZ Docs – Paju & Goyang
Dokleipzig
Viennale
Filmmaker Festival – Milan
Haus der Kunst – Munich
Un Film Dramatique
2019, 114 minutes
Locarno Film Festival compétition (Moving Ahead), Switzerland
Entrevues Belfort, France
International Film Festival Rotterdam (Signatures), Netherlands
Milan Filmmaker Festival (compétition internationale), Italy
Mar del Plata (Authors), Argentina
Seville European Film Festival (New Waves Non Fiction compétition), Spain
Ji.Hlava (Central European Premiere), Czech Republic
DocLisboa (From the Earth to the Moon), Portugal
Viennale (Features), Austria
New York Film Festival (Wavelengths), USA
Also Know As Jihadi
2017, 99 minutes
FID Marseille (International competition)
Festival dei Popoli (Best Feature-Length Documentary Award , international competition)
DocLisboa (international competition)
Ji.hlava International Documentary Film Festival
Festival Filmer à tout prix, Brussels, Belgium
RIDM Montréal
Mar del Plata, Argentina
Pravo Ljudski Film Festival in Sarajevo, Bosnia-Herzegovina
UNDOX-festival, Vienne, Austria
Transmediale, Berlin, Germany
Städelschule, Frankfort, Germany
!f Ä°stanbul Independent Film Festival, Istanbul, Turkey
Dokumentarfilmwoche Hamburg, Germany (competition)
FICUNAM International Film Festival in Mexico City, Mexico
Festival Internacional de Cine de Murcia, Spain
Jeonju International Film Festival, South Korea
Taiwan International Documentary Film, Taiwan (International competition)
Filmadrid, Madrid, Spain
Letters to Max
2014, 103 minutes
FIDOCS (Festival Internacional de Documentales de Santiago)
FID Marseille (International competition)
Toronto International Film Festival (Wavelengths)
New York Film Festival (Projections)
BFI London International Film Festival
RIDM MontreÌal (Editing Prize)
DocLisboa, Lisbonne (Special Jury Prize, international competition)
Festival de Belfort (international competition)
Porto/Post/Doc, Porto (Grand Prize)
CPH:DOX, Copenhagen
International Film Festival Rotterdam (Spectrum)
Punto de Vista, Pamplona (international competition)
BAFICI, Buenos Aires (Best Feature Film prize, Vanguardia y GeÌnero)
The Ugly One
2013, 101 minutes
Locarno Film Festival (Cineasti del presente competition)
DocLisboa, Lisbonne (New Visions)
Dubai International Film Festival (Arabian Nights)
Rotterdam International Film Festival (Bright Futures)
Courtisane Festival, Ghent
The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images
2011, 66 minutes, Super 8 and HD video
FIDOCS (Festival Internacional de Documentales de Santiago)
FID Marseille (French competition)
52nd Festival dei Popoli (international competition)
Festival International du Film de La-Roche-sur-Yon
Festival de Belfort (international competition)
Punto de Vista, Pamplona (international competition)
DocLisboa, Lisbon (Special Jury Prize, international competition)
CPH:DOX Copenhagen (DocAlliance competition)
Migrating Forms, New York (Opening night)
San Francisco International Film Festival
BAFICI, Buenos Aires
Dokumentarfilmwoche Hamburg (competition)
Courtisane Festival, Ghent
FICUNAM, Mexico City
International Film Festival Rotterdam (Bright Futures)
Art of the Real: Los Angeles
The Makes
2010, 26 minutes, HD video
International Film Festival Rotterdam (Signals)
[SIC]
2009, 15 minutes, NTSC video
FIDOCS (Festival Internacional de Documentales de Santiago)
International Film Festival Rotterdam (Spectrum-Shorts)
Migrating Forms, NYC
Courtisane Festival, Ghent
Sugar Water
2007, 72 minutes, HD video
Catalogs & Artists books
2022
Make, Do, With – Faire avec, Paraguay Press, 2022
2021
Une Fleur à la bouche, Poulet-Malassis Press, 2021
2017
The Music of Ramón Raquello and his Orchestra & Other Stories, Witte de With
2014
Anabases, Homay King, Morad Montazami, J.P. Rehm, Pierre Zaoui, Archive Books
Letters to Max, Poulet Malassis press (artist book)
2010
The Makes, Le Bal, Paris (artist book)
Sugar Water, Onestar Press, Paris (artist book)
2008
Site Displacement / DeÌplacement de Site, Archibooks, Paris
2005
Imagined States, Actes Sud - Fondation HSBC pour la Photographie, Arles
Selected Bilbiography
2022
Balsom, Erika : A Comic Turn. An Interview with Éric Baudelaire. Metrograph Journal, Jan 2021
Laura Y. Hernandez Garcia, A Flower in the Mouth, Fata Morgana, Nov Ester Buss, Blumenballett un experimentelle Töne, Viennale
Colin Perry, Conversation Pieces, Interview, Art Monthly, May
de Ruiter, Marinus: On Screen. The Wire 73, 22 June
Delobel, Stéphane: Faire avec, Éric Baudelaire. Traverse
David Hudson, Four from the Forum, The Criterion Collection, Feb
Piccino, Cristina: Rimanere attaccati alla vita attraverso lo sguardo. Il Manifesto, 16 Feb
Ercolani, Lucrezia : Baudelaire: “Domande politiche in un linguaggio poetico, è la forza del cinema. Il Manifesto, 16 Feb
Jenner, Matthew Joseph: Berlinale 2022 review: Une fleur à la bouche. International Cinephile Society, 12 Feb
Pillard, Clarisse. Cinéma du Réel. Entretien avec Éric Baudelaire, réalisateur de When There Is No More Music.... Mediapart, March 16
Campbell, Deragh : A Flower in the Mouth. CinemaScope, pp. 70-71
Eve Lucas, Éric Baudelaire on A Flower In The Mouth, Exberliner, Feb
Marco Romagna, Une Fleur à la bouche (2022), CineLepsus, Feb
Anne-Katrin Titze, A Flower in the Mouth, Eye For Film, Feb
Lemercier, Fabien: Berlinale 2022 Forum. A Flower in the Mouth. Cineuropa, February 12
Nestroy, Jonas: A Flower in the Mouth - Kritik. Critic.de, 13 Feb
Sen, Arindam & Chloé Vurpillot : Éric Baudelaire. Miroirs infinis : réalités de la fiction et rendus fictifs du réel. Débordements, May 4
Hawley, Anthony. Éric Baudelaire’s A Flower in the Mouth. BOMB Magazine 160, June 1
2021
Janssen, Nanda: Post-Post, See All This
Picard, Andrea : Closing Time. Examining the shifting, dizzying perceptions of time in UNE FLEUR À LA BOUCHE. Kino Arsenal
Romagna, Marci: Une Fleur à la bouche di Éric Baudelaire. February 13
De Rosa, Miriam & Catherine Fowler: Making conjunctions: thinking topologically with contemporary artists’ moving images, Screen 62:4, 7 Jan
Hasnay, Gloria: Fleurs du Mal: Éric Baudelaire’s Death Passed My Way and Stuck This Flower in My Mouth at Kunst Halle Sankt Gallen. MOUSSE Magazine, Dec
Hoffmann, Annette: Éric Baudelaires Herzschlag in der Kunst Halle St. Gallen. Bieler Tagblatt, September
Hoffmann, Annette: Das Schöne und der Tod, Artline, November 9
Holzapfel, Patrick: Baudelaire, Un film dramatique: an attempt of freedom. Artum Z, November 25
Allouche, Claire & Alice Leroy: Claire Atherton, chemin faisant. Les Cahiers du Cinéma, February, n°273, p. 96
Sennewald, J. Emil: Der bittere Ewigkeits geschmack gegenwärtiger Blumen. Kunstbulletin October
2020
Vimercati, Giovanni For a selfless and multitudinal criticism, today more than ever, 5 Aug
Genuite, Magali: Éric Baudelaire, Interview. Lick My Gift Interviews, DOUBLE, pp. 6-11
Murphy, Jill & Laura Rascaroli (eds.) : Theorizing Films Through Contemporary Art. Expanding Cinema. Amsterdam University Press (pp. 41, 213, 221-2, 226-7)
Poivert, Michel: 50 ans de Photographie Française de 1970 à nos jours. pp. 309, 323
Borgherini, Malvina: Mirroring in a Movie: Or on Community Feeling Taking Shape in Vittorio de Seta and Éric Baudelaire, On Responsability: The Moving Image Questions Spectatorship, ed. Lorenzo Lazzari
2019
Laurent, Tom: Éric Baudelaire, le partage du réel, Art Absolument, October 10
Coste, Christine: Le temps Baudelaire, Journal des arts, December 23
Baudelaire, Éric: Les pneus crevés du fleuriste. Recherche en cours pour l’écriture d’un film. A/R, n° 02, 2019
2018
Hyeseon Jeong, Landscape, for trying (not) to understand : Conversation with Eric Baudelaire, OKULO 6, p.79-119
Celluloid Liberation Front, Realities in progress: Cinéma du Réel, Sights & Sounds, BFI, 11 may
2017
Negar Azimi, After the Fact, Frieze Magazine, Oct 15
Muriel Maalouf, Eric Baudelaire : l’art face à l’actualité, RFI, sept 14
Luc Chessel, Eric Baudelaire dans les ornières d‘un jihadiste, Libération, 10 septembre
Sophie Rahal, A Beaubourg, Baudelaire s‘attaque au djihad, Télérama, 6 septembre
Jean-Marie Durand, "Après" d’Eric Baudelaire au Centre Pompidou : un art des temps violents, Les Inrockuptibles, 1er septembre
Ludovic Lamant, Eric Baudelaire: «Face au terrorisme, je regarde les structures et le contexte», Mediapart, 28 août
James Scarborough, The Banality of Conversion: “Also Known as Jihadi,” Huffington Post, June 18
Benoit Rossel, Eric Baudelaire, BOMB #140, summer 2017
Louis Blanchot et Jérôme Momcilovic, FID 2017: Pays(ages) hantés, Chronicart, 17 août
Peio Aguirre, La verdad como ensayo, El Pais, 15 agosto
Erika Balsom, The Reality-Based Community, e-flux journal, #83, June
Erika Balsom, Polyphonic Worlds, Contour Biennale 8 – Review, Ibraaz, May 8
Mengna Da, Surveying Landscapes for Clues to Political Violence, Hyperallergic, April 14
Colin Perry, Contour Biennale 8, “Polyphonic Worlds: Justice as Medium, art agenda, April 6
Fabrice Lauterjung, Eric Baudelaire: The Music of Ramon Raquello and his Orchestra – Review, Zero Deux, issue 81
Jens Maier-Rothe, Eric Baudelaire: The Music of Ramon Raquello and his Orchestra – Review, Camera Austria, Issue 137
Yamina Benaï, A Form That Accomodates the Mess, L‘Officiel Art, Issue 21, March-April-May
Door Nanda Janssen, Inzicht is een overwinning op geweld, Metropolis M, N°1
Anna Gritz, Empathy and Contradictions : Eric Baudelaire, Mousse Magazine #57
Laurie Cluitmans, Critic’s Guide : Rotterdam, Frieze.com, Feb 14
Mitch Speed, Review : Eric Baudelaire, Galerie Barbara Wien, Berlin, Frieze.com, Jan 11
Andrea Picard, News from Anywhere, Nowhere, Home: Notes on the BNLMTL, Cinema Scope, #69
James Oscar, La Biennale de Montréal: Le Grand Balcon at the Musée d’Art Contemporain de Montréal, Daily Serving Montreal, Jan 3
2016
Mélanie Mermod, The Mysterious Muse: 27 Years Without Images, LEAP Magazine, #39
2015
Homay King, Virtual Memory: Time-Based Art and The Dream of Digitality, Duke University Press (pp. 128-134)
Necati Sönmez, Tokyo’dan Beyrut’a Bir Sinema Yolculugu, Ziba Mag, #1, Dec
Anthony Downey, Event Horizon, Ibraaz, Oct 29
Jordan Cronk, In Praise Of Eric Baudelaire, Little White Lies, Oct 22
Marco Scotini and Elisabetta Galasso (edited by), Politics of Memory, Documents and Archive, Archive Books (pp. 143-150)
Letters to Max: An interview with Eric Baudelaire, podcast created by Ruben Coll, Museo Reina Sofia Radio, Oct 14
Jens Hoffmann, The Politics of Art (A conversation between Jens Hoffmann, Eric Baudelaire, Nina Beier, Maryam Jafri, Naeem Mohaiemen, and Pratchaya Phinthong), #50, Oct-Nov
Charlotte Keeys, Letters to Max review, Little White Lies, Oct 2
Maya Caspari, Letters and Liminal Spaces: An Interview with Eric Baudelaire, ICA blog, Sept 30
Jen Kratochvil, Eric Baudelaire, That Bowling Alley over the Heterotopia, Fotograf Magazine, #26 (documentary strategies)
Nick Pinkerton, Letters to Max, Sight & Sound, Nov
Naeem Mohaiemen, All That is Certain Vanishes Into Air, e-flux journal #63
Anna Gritz, Eric Baudelaire, Appearance Acts, LUX, Artist in Focus, 13 April
2014
Ellen Mara De Wachter, Changed States: Collaboration and conflict
in the work of Eric Baudelaire, Frieze Magazine, issue 164, June-Aug
Guillaume Désanges, Performing the Document: New Political Theatricalities, ESSE, #81, Spring
Agnieszka Gratza, You’ve Got Mail, artforum.com, March 20
Adam Kleinman, Eric Baudelaire’s “The Anabasis & The Ugly One,” Art Agenda, Jan 13
Claire Moulène, Lettres d’amour en Abkhazie, Les Inrockuptibles n° 950, 12-18 Fev
Rasmus Hungnes, Lengselen etter Abkhasia, Kunstkritikk, March 2
Nicolas Giraud, The Secessions Sessions, Zérodeux, n°69, Printemps
Marc Lénot, L’action se passe en Abkhazie, c’est-à-dire nulle part, Slate.fr, 17 Fév
Léo Goldsmith, Against the Present, selection from FID Marseille, The Brooklyn Rail, Sept 4
Ludovic Lamant, Abkhazie, mon amie, Mediapart, 10 Août
Étienne Hatt, Eric Baudelaire, Unfinished Business, Artpress 414, Sept
Léo Goldsmith, Letters to Max, Cinema Scope, #61
Jorge Mourinha, Éric Baudelaire filma o diplomata do país que não existe, El Publico, Oct 26
Maria Moseng, Found Letters and Lost Images, Wuxia, #1, Feb
2013
Kaelen Wilson-Goldie, Epic Images: Narrative, Form and Metaphor in The Anabasis,
Camera Austria 123
Bruno Icher, Locarno, palmarès sans tache, Libération, 18 août
Jorge Mourinha, Para Éric Baudelaire e Masao Adachi, Beirute esqueceu as suas lágrimas, Público, 2 Nov
Jim Quilty, A dirge to love and militancy, The Daily Star Lebanon, 12 dec
Kaelen Wilson-Goldie, Eric Baudelaire, Artforum, Summer
2012
Homay King, Anabasis, October, 142, Fall
Nicole Yip, Eric Baudelaire, Frieze online, June 6
Jorge Mourinha, Entre a memória e o arrependimento da militância revolucionária, Público, 23 oct
Nicholas Warner, Eric Baudelaire, Art Monthly 357, June 2012
Dennis Lim, A Japanese Director‘s Path to Revolution, The New York Times, Feb 28
2011
Morad Montazami, La scriptologie: science des œuvres à venir, ∆⅄⎈ Nº1
Serge Kaganski, Belfort au-delà du réel, Les Inrockuptibles, 14 décembre
Pierre Zaoui, L’Anabase de la Terreur : Vouloir (ne pas) Comprendre, CAC Synagogue de Delme
Raphaël Brunet, Eric Baudelaire, Histoire d’Image, Zero Deux #59, Automne
Cristina Piccino, Fusaku che guidava l’Armata rossa, Il Manifesto, 13 July
2010
Paul Foss, Eric Baudelaire, Hammer Museum, Art US, October
TJ Carlin, A Vernacular of Violence, Time Out New York, June
Tyler Coburn, A Vernacular of Violence, Art Agenda, June
Tim Saltarelli, Firing upon the clocks: observations on the work of Eric Baudelaire, TPW, June
John Menick, Diptyque, Troubles, 2010
Michel Poivert, Image d’Histoire? La Photographie Contemporaine, Ed. Flammarion
2008
Dominique Baqué, Still Images for Rethinking the World, ArtPress, no 350, Nov
Tan Lin, Eric Baudelaire‘s Sugar Water, the Deleuzean Event, and the Dispersion of Spectatorial Labour, Reading Room, 02
Guillaume Désanges, Eric Baudelaire à la Tôlerie à Clermont-Ferrand, Archistorm, #29
2007
Claire Gilman, Eric Baudelaire, Frieze Magazine, issue 111, Nov-Dec
Erik Verhagen, 10e Mois de la Photo à Montréal, ArtPress, no 339, Nov
David Velasco, Eric Baudelaire at Elizabeth Dee Gallery, Artforum, Sept
Morgan Falconer, On Eric Baudelaire At Elizabeth Dee Gallery, Saatchi Online, July 17
Regis Durand, L’Impératif Documentaire, Photographie Aujourd’hui, Beaux Arts Éditions
Jean-Marie Wynants, Le réel réinvente la fiction, Le Soir, 25 Avril
Rocío de la Villa, Eric Baudelaire y la lógica del cliché, El Cultural, March
2006
Christopher Bollen, Adrian Piper, Wayne Gonzales, Eric Baudelaire, Josephine Meckseper, The New York Times, Dec 8
Pierre Zaoui, La fresque aux icônes, Vacarme, no. 37, Automne
Michel Poivert, Théâtre des dernières guerres, Vacarme, no. 37, Automne
Jean-Marc Bodson, Dans la fabrique des mythes, La Libre Belgique, 11 Sept
Natacha Wolinski, Théatre de guerre, Beaux Arts Magazine, Sept
Edouard Launet, Les faux-semblants de Baudelaire, Libération, 7 Sept
2005
Poivert, Michel: Forme de l’utopie. États Imaginés, Ed. Actes Sud
Youssi, Yasmine: Eric Baudelaire: L’Architecture comme métaphore de l’état. d’A, December
Lambert, Sylvie: Eric Baudelaire : états imagines. Les Inrockuptibles, October 19-25
Krauze, Jan: Les fantômes de l’Abkhazie. Le Monde 2, September 17-23
Guillot, Claire: L’État imaginé d’Eric Baudelaire. Le Monde, September 17
Fanchette, Frédérique: L’État de mes rêves. Libération, September 14
Chapuis, Frédérique: Bons baisers d’Abkhazie. Télérama, September 14-20
Lynch, Dov: État Imaginé. Vacarme, no. 30
* Catalog or publication
Julian Cowley, On Screen, The Wire, Issue 460, June, 2022
Dergah Campbell, A Flower in the Mouth, Cinema Scope, 2022
Giulia Bernardi Rosen, Tod und Kohlendioxid, WOZ – Die Wochenzeitung (online), 11. November, 2021
Judicaël Lavrador Eric Baudelaire remporte le Prix Marcel Duchamp, Libération, October 14, 2019, FR
Philippe Mangeot à propos de l’installation d’Eric Baudelaire "Tu peux prendre ton temps".
Eric Baudelaire & Benoît Rossel in Conversation, BOMB Magazine, Summer 2017
Pressetext, Eric Baudelaire, A Form that Accomodates the Mess, Einzelausstellung bei Barbara Wien, Berlin, 2016
Eric Baudelaire, Cinema of the Invisible, in: Politics of Memory, 2015.
Kaelen Wilson-Goldie, Eric Baudelaire. Epic Images: Narrative, Form and Metaphor in "The Anabasis" in: Camera Austria, 2013
Étienne Hatt: Eric Baudelaire. unfinished business, in: artpress 414, 2014
