Eric Baudelaire
The Glove, 2020
HD Video, 8 min. 6 sec., Stereo Sound, Edition: 51 /
The Glove, 2020
Film Still1 /
Un Film Dramatique, 2019
Video, 114 min., Stereo Sound, French with English Subtitles, Edition: 5/I a.p.1 /
Un Film Dramatique, 2019
Film Still1 /
Un Film Dramatique, 2019
Film Still1 /
Where are you going?, 2018 – ongoing
Correspondence, Unique Work, overall Dimensions variable (each Frame 34 x 25.3 or 34 x 47.3 cm) SOLD1 /
Where are you going?, 2018 – ongoing
Detail SOLD1 /
Where are you going?, 2018 – ongoing
Detail SOLD1 /
Walked The Way Home, 2018
Video, ca. 26 min., Stereo Sound1 /
Walked The Way Home, 2018
Film Still1 /
Eldgja Canyon, 2018
Gravure and Letterpress on Paper, 33 x 25 cm, Edition 301 /
Also Known As Jihadi, 2017
Film, Colour, Sound, 99’, Edition of 5 (Film Still)1 /
Also Known As Jihadi, 2017
Film, Colour, Sound, 99’, Edition of 5 (Film Still)1 /
Also Known As Jihadi, 2017
Film, Colour, Sound, 99’, Edition of 5 (Film Still)1 /
Also Known As Jihadi, 2017
Film, Colour, Sound, 99’, Edition of 5 (Film Still)1 /
Que peut une image?, 2017
Lightbox Vitrine, 52 Duratrans Photographic Prints & Magazine Pages, Vitrine: 96 x 603 x 73 cm1 /
Que peut une image?, 2017
Detail1 /
Que peut une image?, 2017
Detail1 /
APRÈS, 2017
12 Prints, each 100 x 70, Edition 7/12, all signed, Detail (A pour Architecture)1 /
APRÈS, 2017
Detail (F pour FuÌ‚keiron, la TheÌorie du Paysage)1 /
APRÈS, 2017
Detail (H pour Hypnose)1 /
APRÈS, 2017
Detail (J pour Justice)1 /
FRAEMWROK FRMAWREOK FAMREWROK..., 2016
Wallpaper, installed Dimensions variable (48 rolls of wallpaper / 144 linear meters total), Edition 2/51 /
FRAEMWROK FRMAWREOK FAMREWROK..., 2016
Wallpaper, installed Dimensions variable (48 rolls of wallpaper / 144 linear meters total), Edition 2/51 /
FRAEMWROK FRMAWREOK FAMREWROK..., 2016
Wallpaper, installed Dimensions variable (48 rolls of wallpaper / 144 linear meters total), Edition 2/51 /
Some Tomorrows (Le Monde, 6 Août 2015), 2016
Silkscreened Ink on Paper and Glass, 111.2 x 80.7 cm, Unique Piece + 1 AP1 /
Some Tomorrows (Le Monde, 11 Mai 2010), 2016
Silkscreened Ink on Paper and Glass, 111.2 x 80.7 cm, Unique Piece + 1 AP1 /
The Secession Sessions, 2014
Installation composed of 74 Letters, a Film Projection, a Performance with Maxim Gvindjia & a Proposal for a Public Program1 /
The Secession Sessions, 2014
Installation composed of 74 Letters, a Film Projection, a Performance with Maxim Gvindjia & a Proposal for a Public Program1 /
The Secession Sessions, 2014
Installation composed of 74 Letters, a Film Projection, a Performance with Maxim Gvindjia & a Proposal for a Public Program1 /
The Secession Sessions, 2014
Installation composed of 74 Letters, a Film Projection, a Performance with Maxim Gvindjia & a Proposal for a Public Program1 /
The Ugly One, 2013
Film adapted from a Screenplay by Masao Adachi, HD video, 141’, Edition 51 /
The Ugly One, 2013
Film Still1 /
The Ugly One, 2013
Installation View Detail1 /
The Ugly One, 2013
Installation View Detail1 /
Refusons le monde de ceux qui ont [Let us refuse the world of those who have], 2010
C-Print, framed, Print 14 x 20 cm, Frame 46 x 34.5 x 2.5 cm, Edition 2/5 (+ 2 AP)1 /
Refusons le monde de ceux qui ont [Let us refuse the world of those who have], 2010
Detail1 /
Refusons le monde de ceux qui ont [Let us refuse the world of those who have], 2019
Heliogravure, 65 x 82 cm, framed 68 x 85 cm, Edition: 331 /
Chanson d’Automne, 2009
Grease Pencil on Sept 2008 Wall Street Journal Pages, two Frames of 76.5 x 132.5 cm and a chronological Notice, Edition 1/3 (+ 1AP)1 /
Chanson d’Automne, 2009
Detail1 /
The Makes, 2009
HD Colour Video, 26 min., Edition 61 /
The Makes (The Silence), 2009
Vitrine made from Japanese Film-Stills, Pages torn from That Bowling Alley on the Tiber by Michelangelo Antonioni, Plexiglass, Steel & fluorescent Lighting, Unique Piece, 71.5 x 104 x ca. 15.5 cm1 /
The Makes (The Girl, The Crime #2), 2009
Vitrine made from Japanese Film-Stills, Pages torn from That Bowling Alley on the Tiber by Michelangelo Antonioni, Plexiglass, Steel & fluorescent Lighting, Unique Piece, 55 x 80 x ca. 15.5 cm1 /
[sic], 2009
SD Video & chronological Note, 15 Minutes, Edition 51 /
Artforum XLVI #7 p.241 [sic], Yokohama, 2008, 2009
Photogravures (Triptych), each 48 × 37 cm1 /
Sugar Water, 2007
HD Video Projection, 72 min., Edition: 5 + 1 AP1 /
Sugar Water, 2007
Film Still1 /
Site Displacement / DeÌplacement de site, 2007
Two synchronized Slide-Projections (2 x 22 Images), Edition 1/31 /
Site Displacement / DeÌplacement de site, 2007
Two synchronized Slide-Projections (2 x 22 Images), Edition 1/31 /
Site Displacement / DeÌplacement de site, 2007
Diptych of Photographs from the Site Displacement Series (Untitled 02a & Untitled 02b), two Frames: 55.5 x 47.7 cm & 55.5 x 45.7 cm, Edition 61 /
Site Displacement / DeÌplacement de site, 2007
Diptych of Photographs from the Site Displacement Series (Untitled 17a & Untitled 17b), 20 x 15.7 cm & 20 x 15 cm, Edition 61 /
V-Blank, 2006
3 Gelatin Silver Prints, framed, Photos each 51 x 65 cm; frames each: 53 x 67 x 3.4 cm, Edition 51 /
V-Blank, 2006
Detail1 /
5 Sheathed Cobblestones (Rome), in collaboration Sonia Ahmimou, 2018
5 Roman cobblestones sheathed in Barenia leather / Unique work, ca. 6.5 x 9 x 7 cm / 8 x 7 x 5.5 cm / 10 x 7.5 x 7 cm / 9.5 x 9 x 9 cm / 6 x 9 x 6 cm1 /
Born in Salt-Lake-City, USA, in 1973
Lives and works in Paris
Teaching
2019 Director, RAW Academy Session 7, Dakar, Senegal (2019)
2011 – 2013 Professor, École Nationale Supérieure des Beaux Arts de Lyon
Curating
2012 The Museum of Ante-Memorials, 8th Taipei Biennial, Taipei Fine Arts Museum, Taiwan
Awards & Grants
2020
Grand Prize, Punto de Vista International Documentary Film Festival, Pamplona, Spain (Un film dramatique)
2019
Prix Marchel Duchamp, Paris, France
Guggenheim Fellowship
2017
Future of Europe Art Prize, Leipzig
Best Feature-Length Documentary Award, Festival dei Popoli, Florence, Italy
Residency Villa Medici, Académie de France à Rome
2015
Sharjah Biennial 12 Prize
Best Feature Film prize, BAFICI, Vanguardia y Género (Letters to Max)
2014
SeMA-HANA Award, Mediacity, Seoul
Special Jury Prize, DocLisboa Festival (Letters to Max)
Grand Jury Prize, Porto/Post/Docs Festival (Letters to Max)
Editing Prize, RIDM Festival Montréal (Letters to Max)
2013
IASPIS Residency, Stockholm, Sweden
2012
Audi Talent Awards Art Prize
Fondation nationale des arts graphiques et plastiques grant
Special Jury Prize, DocLisboa Festival (The Anabasis)
2010
Centre national des arts plastiques (CNAP) research grant
2008
Residency Villa Kujoyama, Kyoto, Japan
2005
Fondation HSBC pour la Photographie Prize
2002
New York Foundation for the Arts Fellowship
Collections
Museum of Modern Art, New York
Whitney Museum of American Art, New York
Museum für Moderne Kunst, Frankfurt am Main
Museo Reina Sofia, Madrid
MACBA, Barcelona
MMCA, Seoul
M+, Hong Kong
Centre Pompidou / Musée National d’Art Moderne, Paris Fond National d’Art Contemporain, France
Fond Municipal d’Art Contemporain, Paris
FRAC Auvergne, France
FRAC Grand Large – Hauts-de-France
FRAC Franche-Comté
Centre National des Arts Plastiques (CNAP), Paris
Solo Exhibitions
2022
When There Is No More Music to Write (with Alvin Curran), Spike Island, Bristol, UK
2021
Death Passed My Way and Stuck This Flower in My Mouth, Eric Baudelaire, Kunst Halle Sankt Gallen, Switzerland
2019
Faire avec, Centre Régional d’Art Contemporain (CRAC) Occitanie, Sète, France
Afterimage, Galerie Barbara Wien, Berlin, Germany
Some Letters, The Island Club, Limassol, Cyprus
2018
Walked the Way Home, n.b.k, Berlin, Germany
Prove e Motivi, Capo d’Arte, Gagliano del Capo, Italy (with David Douard)
2017
APRÈS, Centre Pompidou, Paris, France
Dora Maar Début, Galerie für Zeitgenössische Kunst, Leipzig, Germany
The Music of Ramón Raquello and his Orchestra, Tabakalera, San Sebastian, Spain
Fukeiron, Galerie Juana de Aizpuru, Madrid, Spain
The Music of Ramón Raquello and his Orchestra, Witte de With, Rotterdam, Netherlands
2016
A Form That Accommodates The Mess, Galerie Barbara Wien, Berlin, Germany
2015
The Ugly One, Ludwig Forum, Aachen, Germany
The Secession Sessions, Matrix 257, UC Berkeley Art Museum & Pacific Film Archive, United States *
2014
FRMAEOWRK, Fridericianum, Kassel, Germany
The Secession Sessions, Bergen Kunsthall, Norway *
L’oeil se noie (with Mathieu K. Abonnenc), KIOSK, Ghent, Belgium
The Secession Sessions, Bétonsalon, Paris, France *
2013
The Anabasis and The Ugly One, Gallery Greta Meert, Brussels
Now_Then_Here_Elsewhere, Beirut Art Center, Lebanon
2012
The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images, Gasworks, London *
La Anabasis de May y Fusako Shigenobu, Masao Adachi, y 27 anos sin imagenes, Galeria Juana de Aizpuru, Madrid, Spain *
The Music of Ramon Raquello, Slought Foundation, Philadelphia, United States
2011
Eric Baudelaire : Sugar Water, Franklin Art Works, Minneapolis, United States
The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images, CAC la Synagogue de Delme, France *
2010
Hammer projects: Eric Baudelaire, Hammer Museum, Los Angeles, United States *
Unfinished Business, Gallery TPW, Toronto, Canada
2009
Anabases (I), Elizabeth Dee Gallery, New York, United States *
Anabases (II), Galerie Greta Meert, Brussels, Belgium *
2008
Site Displacement / Déplacement de Site, La ToÌ‚lerie, Clermont-Ferrand, France (cur. G. DeÌsanges ) *
2007
Circumambulation, Elizabeth Dee Gallery, New York, United States
Eric Baudelaire, Musée de la Photographie, Charleroi, Belgium *
Acontecimientos, Galeria Juana de Aizpuru, Madrid, Spain
2006
Imagined States, Phillips de Pury, New York, United States *
2005
Imagined States, Le Château d’Eau, Toulouse, France *
Group Exhibitions
2022
Phenomenon 4, Anafi, Greece
2021
Though it’s dark, still I sing, 34th Bienal de São Paulo, Brazil
2020
Matter of Art, Biennale de Prague, Czech Republic
Accrochage 20 ans du Prix Marcel Duchamp, Centre Pompidou, Paris, France
Resisting Images, Images Responding, Coalmine, Winterthur, Switzerland
Sammlung/Collection, Tower MMK, Museum für Moderne Kunst, Frankfurt am Main, Germany
Unsere Gegenwart, Museum für Gegenwartskunst Siegen, Germany
Hospitalités. Les galeries de Komunuma invitent des galeries amies, Galerie Jocelyn Wolff, Paris Romainville, France
Retrospective, Documenta / Matadero, Madrid, Spain
Yabuno-naka nihon sekingu (with Naeem Mohaiemen), Asakusa, Tokyo, Japan
2019
The Square: Art and Society in Korea 1900‒2019, MMCA National Museum of Modern and Contemporary Art, Seoul, Korea
You, Musée d’Art moderne de la Ville de Paris, France
When the Present is History, DEPO, Istanbul, Turkey
Deep Sounding, DAAD Gallery, Berlin, Germany
Prix Marcel Duchamp 2019, Centre Pompidou, Paris, France
VIDEONALE.17, Refracted Realities, Kunstmuseum Bonn, Germany
La Rue, Moco La Panacée, Montpellier, France
VIDEONALE.17, Refacted Museums, Kunstmuseum Bonn, Germany
2018
der grosse Anspruch des kleinen Bildes, Galerie Barbara Wien, Berlin, Germany
Refracted Realities, Videonale – Festival for Video and Time-Based Art, Bonn, Cologne
New acquisitions presentation: Eric Baudelaire, LaToya Ruby Frazier, Alban Hajdinaj & Jumana Manna
Centre Pompidou, Paris, France
Letters of Last Resort, Damien & The Love Guru, Brussels, Belgium
Take Me (I’m Yours), Villa Medicis, Rome, Italy
Assembly, CAC la Synagogue de Delme, Delme, France
FRMAWREOK, FAMREWROK FRMWRAOEK, Alkovi, Helsinki, Finland
Stadtansichten, Heidelberger Kunstverein, Heidelberg, Germany
An American City, FRONT International: Cleveland Triennial for Contemporary Art, Cleveland, OH, USA
2017
Conversation Piece | Part IV: Giant steps are what you take, The Fondazione Memmo-Arte Contemporanea, Rome, Italy
Spaces of Art - Part 2, Galerie für Zeitgenössische Kunst, Leipzig, Germany
Act II, Sharjah Biennial 13, Tamawuj, Beirut Art Center, Lebanon
Almost nothing, and yet not nothing, Arts and Science Lab in Tokyo University of the Arts (Museum of Contemporary Art Tokyo in collaboration with KADIST), Ueno Campus Tokyo, Japan
The Image of War, Bonniers Konsthall, Stockholm, Sweden
4th Ural Industrial Biennial of Contemporary Art, NCCA Ekaterinburg, Russia
Whitney Biennial 2017, Whitney Museum of American Art, New York, United States
RIVERRUN, Taipei Fine Arts Museum, Taiwan
La dissidència nostalgica, La Capella, Barcelona, Spain
Contour Biennale 8, Mechelen, Belgium
Evidences du réel. La photographie face à ses lacunes, Le Musée d’art de Pully, Pully, Switzerland
2016
House of commons, Portikus, Frankfurt/Main, Germany
Le Grand Balcon (The Grand Balcony), La Biennale de Montréal, Canada
Territories and Fictions. Thinking a New Way of the World, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Still (the) Barbarians, EVA International, Ireland’s Biennale, Limerick
Économie de la tension, Parc Saint Léger, Centre d’art contemporain, Pougues-les-Eaux, France
The Inoperative Community II, Muzeum Sztuki, Lodz, Poland
No Shooting in this Area, Bel Ordinaire, Billère, France
Petit déjeuner au crépuscule, Centre d’art image/imatge, Orthez, France
Il y a de l’autre, Atelier des Forges (as part of Les Rencontres de la Photographie), Arles, France
2015
The Inoperative Community, Raven Row, London, UK (cur. Dan Kidner)
Paysages Urbains, rêve et réalité, Domaine de Chamarande, France
Moving Image Department – 3rd Chapter: The Owl’s Legacy and its Discontents, National Gallery, Prague, Czech Republic (cur. Adam Budak, Jen Kratochvil)
The Vanishing Point of History, Lectoure, France (cur. Catsou Roberts)
Sharjah Biennial 12, The past, the present, the possible, UAE (cur. Eungie Joo)
Pliure. Epilogue, Palais des Beaux Arts, Paris
2014
ART Fahrenheit 451, Yokohama Triennale, Japan (cur. Morimura Yasumasa)
Ghosts, Spies and Grandmothers, Mediacity Biennale SeMA, Seoul, South Korea (cur. Park Chan-Kyong)
La Photographie performe: the Body and the Archive, CPIF, Pontault-Combault, France
Out of the Blue, The National Gallery of Kosovo, Pristina (cur. Corinne Diserens)
Once documentary, Camera Austria, Graz, Austria
Reading Cinema, Finding Words, Museum of Modern Art, Tokyo, Japan
ClasseÌ X, FRAC Loraine, Metz, France
2013
Archeologies of the Future 2, Campagne Première, Berlin, Germany
Liquid Assets, Steirischer Herbst, Ex-Zollamt, Graz, Austria (cur. Katarina Gregos)
Reading Cinema, Finding Words, Museum of Modern Art, Kyoto, Japan
New Acquisitions, MACBA, Barcelona, Spain
Ulysses, l’autre mer, FRAC Bretagne, Rennes, France
Nothing is Normal, bureau publik, Copenhagen, Denmark
fALSEfAKES, Centre de la Photographie, Genève, Switzerland
Duet, Cristina Guerra gallery, Lisbon, Portugal
L’apparition des images, Fondation Ricard, Paris, France
2012
8th Taipei Biennial, Taipei Fine Arts Museum, Taiwan (cur. Anselm Franke)
Mindaugas Triennial, Baltic Triennial of International Art, Vilnius, LIthuania (cur. Defne Ayas, Benjamin Cook)
Carnal Knowledge, Leslie Tonkonow, New York, United States
A Blind Spot, Documentary Forum II, Haus der Kulturen der Welt, Berlin, Germany (cur. Catherine David)
Intense ProximiteÌ, La Triennale, Palais de Tokyo, Paris, France (cur. Okwui Enwezor)
Les Monuments Invisibles, La Galerie, Noisy-le-Sec, France
La chispa que incendia la llanura, Centro Ecuatoriano de Arte ContemporaÌneo, Quito, Ecuador
AffiniteÌs, deÌchirures et attractions, FRAC Alsace, SeÌlestat, France
2011
Elastic Frames, Transmission Gallery, Glasgow, United Kingdom
Void if Removed, Le Plateau FRAC Ile de France, Paris, France (cur. Guillaume DeÌsanges) *
Ce matin j’ai assisteÌ aÌ€ la destruction du monde en spectateur attentif, et puis je me suis remis au travail, Le Quartier, Quimper, France
A Horse with No Legs Still Makes Him a Winner, Recess Activities, New York, United States (cur. Galeria Perdida)
Definitive Gaze, Newbridge Space, Newcastle upon Tyne, United Kingdom
Collector, Le Tri Postal, Lille, France
All That Fits, Quad, Derby, United Kingdom *
2010
Watchmen, Liars, Dreamers, Le Plateau FRAC IdF, Paris, France (cur. Guillaume DeÌsanges) *
A Never Ending Story, CAC Sukhum, Abkhazia (cur. Chris Sharp)
Vernacular of Violence, Invisible Exports, New York, United States
Collecter / Recycler, Centre de la Photographie d’IÌ‚le-de-France, Pontault-Combault, France
Public Image, Cooper Gallery, University of Dundee, United Kingdom
2009
Great Expectations, Casino Luxembourg, Luxembourg
PhotocineÌma, Format, Quad, Derby, United Kingdom
2008
Second_Nature, Dexia BIL, Luxembourg and Domaine de Chamarande, France *
La Foule (ControÌ‚le-Chaos), Espace d’Art Contemporain La ToÌ‚lerie, Clermont-Ferrand, France
Il Faut DeÌtruire Carthage, Lieu-Commun, Toulouse, France *
La Grande TraverseÌe / Horizons photographiques - Oeuvres du FNAC, Centre VU, QueÌbec
2007
New presentation of the contemporary collections, Centre Pompidou / MNAM, Paris, France
Replaying Narrative, Le Mois de la Photo aÌ€ MontreÌal, Canada *
A Travers le Miroir (Western Moderne), FRAC Auvergne, France
Watching War, Creative Arts Council, Brown University, Providence, United States
Exhibition, La GeÌneÌrale, Paris, France
2006
Adrian Piper, Eric Baudelaire, Josephine Meckseper, Wayne Gonzales, Elizabeth Dee Gallery, New York, United States
* Catalog or publication
Filmography, Screenings & Festivals
Un film Dramatique
2019, 114 minutes
_Festivals:
Entrevues Belfort, France
International Film Festival Rotterdam (Signatures), Netherlands
Milan Filmmaker Festival (compétition internationale), Italy
Mar del Plata (Authors), Argentina
Seville European Film Festival (New Waves Non Fiction compétition), Spain
Ji.Hlava (Central European Premiere), Czech Republic
DocLisboa (From earth to the Moon), Portugal
Viennale (Features), Austria
New York Film Festival (Wavelengths), USA
Locarno Film Festival compétition (Moving Ahead), Switzerland
Also Know As Jihadi
2017, 99 minutes
_Festivals:
FID Marseille (International competition)
Festival dei Popoli (Best Feature-Length Documentary Award , international competition)
DocLisboa (international competition)
Ji.hlava International Documentary Film Festival
Festival Filmer à tout prix, Brussels, Belgium
RIDM Montréal
Mar del Plata, Argentina
Pravo Ljudski Film Festival in Sarajevo, Bosnia-Herzegovina
UNDOX-festival, Vienne, Austria
Transmediale, Berlin, Germany
Städelschule, Frankfort, Germany
!f Ä°stanbul Independent Film Festival, Istanbul, Turkey
Dokumentarfilmwoche Hamburg, Germany (competition)
FICUNAM International Film Festival in Mexico City, Mexico
Festival Internacional de Cine de Murcia, Spain
Jeonju International Film Festival, South Korea
Taiwan International Documentary Film, Taiwan (International competition)
Filmadrid, Madrid, Spain
Letters to Max
2014, 103 minutes
__Festivals:
FIDOCS (Festival Internacional de Documentales de Santiago)
FID Marseille (International competition)
Toronto International Film Festival (Wavelengths)
New York Film Festival (Projections)
BFI London International Film Festival
RIDM MontreÌal (Editing Prize)
DocLisboa, Lisbonne (Special Jury Prize, international competition)
Festival de Belfort (international competition)
Porto/Post/Doc, Porto (Grand Prize)
CPH:DOX, Copenhagen
International Film Festival Rotterdam (Spectrum)
Punto de Vista, Pamplona (international competition)
BAFICI, Buenos Aires (Best Feature Film prize, Vanguardia y GeÌnero)
The Ugly One
2013, 101 minutes
__Festivals:
Locarno Film Festival (Cineasti del presente competition)
DocLisboa, Lisbonne (New Visions)
Dubai International Film Festival (Arabian Nights)
Rotterdam International Film Festival (Bright Futures)
Courtisane Festival, Ghent
The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images
2011, 66 minutes, Super 8 and HD video
__Film festivals:
FIDOCS (Festival Internacional de Documentales de Santiago)
FID Marseille (French competition)
52nd Festival dei Popoli (international competition)
Festival International du Film de La-Roche-sur-Yon
Festival de Belfort (international competition)
Punto de Vista, Pamplona (international competition)
DocLisboa, Lisbon (Special Jury Prize, international competition)
CPH:DOX Copenhagen (DocAlliance competition)
Migrating Forms, New York (Opening night)
San Francisco International Film Festival
BAFICI, Buenos Aires
Dokumentarfilmwoche Hamburg (competition)
Courtisane Festival, Ghent
FICUNAM, Mexico City
International Film Festival Rotterdam (Bright Futures)
Art of the Real: Los Angeles
The Makes
2010, 26 minutes, HD video
__Film festivals:
International Film Festival Rotterdam (Signals)
[SIC]
2009, 15 minutes, NTSC video
__Film festivals:
FIDOCS (Festival Internacional de Documentales de Santiago)
International Film Festival Rotterdam (Spectrum-Shorts)
Migrating Forms, NYC
Courtisane Festival, Ghent
Sugar Water
2007, 72 minutes, HD video
Catalogs & Artists books
2017
The Music of Ramón Raquello and his Orchestra & Other Stories, Witte de With
2014
Anabases, Homay King, Morad Montazami, J.P. Rehm, Pierre Zaoui, Archive Books
Letters to Max, Poulet Malassis press (artist book)
2010
The Makes, Le Bal, Paris (artist book)
Sugar Water, Onestar Press, Paris (artist book)
2008
Site Displacement / DeÌplacement de Site, Archibooks, Paris
2005
Imagined States, Actes Sud - Fondation HSBC pour la Photographie, Arles
Selected Bilbiography
2015
Anthony Downey, Event Horizon, Ibraaz, Oct 29
Jordan Cronk, In Praise Of Eric Baudelaire, Little White Lies, Oct 22
Cinema of the Invisible, Politics of Memory, Documents and Archive, edited by Marco Scotini and Elisabetta Galasso, Archive Books
Letters to Max: An interview with Eric Baudelaire, podcast created by Ruben Coll, Museo Reina Sofia Radio, Oct 14
Jens Hoffmann, The Politics of Art (A conversation between Jens Hoffmann, Eric Baudelaire, Nina Beier, Maryam Jafri, Naeem Mohaiemen, and Pratchaya Phinthong), #50, Oct-Nov
Charlotte Keeys, Letters to Max review, Little White Lies, Oct 2
Maya Caspari, Letters and Liminal Spaces: An Interview with Eric Baudelaire, ICA blog, Sept 30
Jen Kratochvil, Eric Baudelaire, That Bowling Alley over the Heterotopia, Fotograf Magazine, #26 (documentary strategies)
Nick Pinkerton, Letters to Max, Sight & Sound, Nov
Naeem Mohaiemen, All That is Certain Vanishes Into Air, e-flux journal #63
Anna Gritz, "Eric Baudelaire, Appearance Acts," LUX, Artist in Focus, 13 April
2014
Ellen Mara De Wachter, Changed States: Collaboration and conflict in the work of Eric Baudelaire, Frieze Magazine, issue 164, June-Aug
Guillaume DeÌsanges, Performing the Document: New Political Theatricalities, ESSE, #81, Spring Agnieszka Gratza, You’ve Got Mail, artforum.com, March 20
Adam Kleinman, Eric Baudelaire’s "The Anabasis & The Ugly One," Art Agenda, Jan 13 Claire MouleÌ€ne, Lettres d’amour en Abkhazie, Les Inrockuptibles n° 950, 12-18 Fev
* Catalog or publication
Rasmus Hungnes, Lengselen etter Abkhasia, Kunstkritikk, March 2
Nicolas Giraud, The Secessions Sessions, ZeÌrodeux, n°69, Printemps
Marc LeÌnot, L’action se passe en Abkhazie, c’est-aÌ€-dire nulle part, Slate.fr, 17 FeÌv
LeÌo Goldsmith, Against the Present, selection from FID Marseille, The Brooklyn Rail, Sept 4 Ludovic Lamant, Abkhazie, mon amie, Mediapart, 10 AouÌ‚t
EÌtienne Hatt, Eric Baudelaire, Unfinished Business, Artpress 414, Sept
LeÌo Goldsmith, Letters to Max, Cinema Scope, #61
Jorge Mourinha, EÌric Baudelaire filma o diplomata do paiÌs que não existe, El Publico, Oct 26 Maria Moseng, Found Letters and Lost Images, Wuxia, #1, Feb
2013
Kaelen Wilson-Goldie, Epic Images: Narrative, Form and Metaphor in The Anabasis, Camera Austria 123
Bruno Icher, Locarno, palmareÌ€s sans tache, LibeÌration, 18 aouÌ‚t
Jorge Mourinha, Para EÌric Baudelaire e Masao Adachi, Beirute esqueceu as suas laÌgrimas, PuÌblico, 2 Nov
Jim Quilty, A dirge to love and militancy, The Daily Star Lebanon, 12 dec
Kaelen Wilson-Goldie, Eric Baudelaire, Artforum, Summer
2012
Homay King, Anabasis, October, 142, Fall
Nicole Yip, Eric Baudelaire, Frieze online, June 6
Jorge Mourinha, Entre a memoÌria e o arrependimento da militaÌ‚ncia revolucionaÌria, PuÌblico, 23 oct Nicholas Warner, Eric Baudelaire, Art Monthly 357, June 2012
Dennis Lim, A Japanese Director’s Path to Revolution, The New York Times, Feb 28
2011
Morad Montazami, La scriptologie: science des œuvres à venir, ∆⅄⎈ No1
Serge Kaganski, Belfort au-delaÌ€ du reÌel, Les Inrockuptibles, 14 deÌcembre
Pierre Zaoui, L’Anabase de la Terreur : Vouloir (ne pas) Comprendre, CAC Synagogue de Delme Raphaël Brunet, Eric Baudelaire, Histoire d’Image, Zero Deux #59, Automne
Cristina Piccino, Fusaku che guidava l’Armata rossa, Il Manifesto, 13 July
2010
Paul Foss, Eric Baudelaire, Hammer Museum, Art US, October
TJ Carlin, A Vernacular of Violence, Time Out New York, June
Tyler Coburn, A Vernacular of Violence, Art Agenda, June
Tim Saltarelli, Firing upon the clocks: observations on the work of Eric Baudelaire, TPW, June John Menick, Diptyque, Troubles, 2010
Michel Poivert, Image d’Histoire? La Photographie Contemporaine, Ed. Flammarion 2008 Dominique BaqueÌ, Still Images for Rethinking the World, ArtPress, no 350, Nov
Tan Lin, Eric Baudelaire’s Sugar Water, the Deleuzean Event, and the Dispersion of Spectatorial Labour, Reading Room, 02
Guillaume DeÌsanges, Eric Baudelaire aÌ€ la ToÌ‚lerie aÌ€ Clermont-Ferrand, Archistorm, #29
2007
Claire Gilman, Eric Baudelaire, Frieze Magazine, issue 111, Nov-Dec
Erik Verhagen, 10e Mois de la Photo aÌ€ MontreÌal, ArtPress, no 339, Nov
David Velasco, Eric Baudelaire at Elizabeth Dee Gallery, Artforum, Sept
Morgan Falconer, On Eric Baudelaire At Elizabeth Dee Gallery, Saatchi Online, July 17 Regis Durand, L’ImpeÌratif Documentaire, Photographie Aujourd’hui, Beaux Arts EÌditions Jean-Marie Wynants, Le reÌel reÌinvente la fiction, Le Soir, 25 Avril
RociÌo de la Villa, Eric Baudelaire y la loÌgica del clicheÌ, El Cultural, March
2006
Christopher Bollen, Adrian Piper, Wayne Gonzales, Eric Baudelaire, Josephine Meckseper,
* Catalog or publication
The New York Times, Dec 8
Pierre Zaoui, La fresque aux icônes, Vacarme, no. 37, Automne
Michel Poivert, TheÌaÌ‚tre des dernieÌ€res guerres, Vacarme, no. 37, Automne Jean-Marc Bodson, Dans la fabrique des mythes, La Libre Belgique, 11 Sept Natacha Wolinski, TheÌatre de guerre, Beaux Arts Magazine, Sept
Edouard Launet, Les faux-semblants de Baudelaire, LibeÌration, 7 Sept
2005
Michel Poivert, Forme de l’utopie, EÌtats ImagineÌs, Ed. Actes Sud
Yasmine Youssi, Eric Baudelaire: L’Architecture comme meÌtaphore de l’eÌtat, d’A, Dec Sylvie Lambert, Eric Baudelaire : eÌtats imagineÌs, Les Inrockuptibles, 19-25 Oct
Jan Krauze, Les fantoÌ‚mes de l’Abkhazie, Le Monde 2, 17-23 Sept
Claire Guillot, L’EÌtat imagineÌ d’Eric Baudelaire, Le Monde, 17 Sept
FreÌdeÌrique Fanchette, L’EÌtat de mes reÌ‚ves, LibeÌration, 14 Sept
FreÌdeÌrique Chapuis, Bons baisers d’Abkhazie, TeÌleÌrama, 14-20 Sept
Dov Lynch, EÌtat ImagineÌ, Vacarme, no. 30
* Catalog or publication
Giulia Bernardi Rosen, Tod und Kohlendioxid, WOZ – Die Wochenzeitung (online), 11. November, 2021
Judicaël Lavrador Eric Baudelaire remporte le Prix Marcel Duchamp, Libération, October 14, 2019, FR
Philippe Mangeot à propos de l’installation d’Eric Baudelaire "Tu peux prendre ton temps".
Eric Baudelaire & Benoît Rossel in Conversation, BOMB Magazine, Summer 2017
Pressetext, Eric Baudelaire, A Form that Accomodates the Mess, Einzelausstellung bei Barbara Wien, Berlin, 2016
Eric Baudelaire, Cinema of the Invisible, in: Politics of Memory, 2015.
Kaelen Wilson-Goldie, Eric Baudelaire. Epic Images: Narrative, Form and Metaphor in "The Anabasis" in: Camera Austria, 2013
Étienne Hatt: Eric Baudelaire. unfinished business, in: artpress 414, 2014
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, 2016, Silkscreened Ink on Paper and Glass, 111.2 x 80.7 cm, Unique Piece + 1 AP&img=/images/artists//eb_sometomorrows_150806_lemonde6aout2015.jpg){kind=link}
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, 2009, Vitrine made from Japanese Film-Stills, Pages torn from That Bowling Alley on the Tiber by Michelangelo Antonioni, Plexiglass, Steel & fluorescent Lighting, Unique Piece, 71.5 x 104 x ca. 15.5 cm&img=/images/artists//eb_themakes-thesilence_2009_fotonickash.jpg){kind=link}
, 2009, Vitrine made from Japanese Film-Stills, Pages torn from That Bowling Alley on the Tiber by Michelangelo Antonioni, Plexiglass, Steel & fluorescent Lighting, Unique Piece, 55 x 80 x ca. 15.5 cm&img=/images/artists//eb_themakes-thegirlthecrime_2009_fotonickash.jpg){kind=link}
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, Edition 1/3&img=/images/artists//a6598652.jpg){kind=link}
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, two Frames: 55.5 x 47.7 cm & 55.5 x 45.7 cm, Edition 6&img=/images/artists//eb_sitedisplacement_diptych.jpg){kind=link}
, 20 x 15.7 cm & 20 x 15 cm, Edition 6&img=/images/artists//eb_sitedisplacement_17ab_web.jpg){kind=link}
, in collaboration Sonia Ahmimou, 2018, 5 Roman cobblestones sheathed in Barenia leather / Unique work, ca. 6.5 x 9 x 7 cm / 8 x 7 x 5.5 cm / 10 x 7.5 x 7 cm / 9.5 x 9 x 9 cm / 6 x 9 x 6 cm&img=/images/artists//5_sheathed_cobblestones_-_baudelaire_ahmimou_-_04.jpg){kind=link}